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Cinderella Coming in November to the Paramount Theatre in Downtown Aurora

 

Aurora, IL, October 12, 2021 – You may think you know the story, but you’ve never seen it like this.
Paramount Theatre presents Cinderella, the beloved musical by the genius minds of Rodgers and Hammerstein, in a mesmerizing new production bringing a reimagined take on the classic children’s story that has enchanted families for generations.
Paramount’s Cinderella promises to come with all of the spectacle and splendor audiences have come to expect. Pumpkins will transform into horse-drawn carriages, right before your eyes. Jaws will drop as tattered rags magically become a beautiful gown. By the end of the show, young and old alike will wish fairy godmothers and glass slippers weren’t just for fairy tales. After all, you’re never too young for a little magic. And never too old to believe.
Completing the experience, Paramount’s Grand Gallery will be fit for a royal ball, with a giant two-story Christmas tree and all the trimmings, making it the ideal backdrop for annual family photos.
Previews of Cinderella start November 10. Press opening is Friday, November 19 at 8 p.m.Cinderella runs through January 9, 2022. Tickets are $36 to $79. Cinderella is suggested for ages 5 and up. For tickets and information, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m.
Performance schedule: Show times are Wednesdays at 1:30 p.m. and 7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m.
Exceptions: No 1:30 p.m. matinee on November 9. Added performances are Tuesday, November 23, at 7 p.m.; Friday, November 26, at 3 p.m.; Thursday, December 30, at 1:30 p.m.; and Thursday, January 6 at 1:30 p.m. Show time Friday, December 31 (New Year’s Eve) is 3 p.m. No shows Thursday, November 25 (Thanksgiving), Thursday through Saturday, December 23-25 (including Christmas Eve and Christmas Day), and no evening show on Thursday, December 31 (New Year’s Eve).
Access Services: Paramount’s offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device. For patrons who are deaf or hard of hearing, Cinderellawill be presented on Friday, January 7, at 8 p.m. with two certified sign interpreters translating all dialogue and lyrics into American Sign Language. Patrons can purchase single tickets with special seating for this performance for $30 with the code ASLPARAMOUNT. If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or [email protected] in advance.
Pay What You Can: Performances Wednesday, November 10, at 7 p.m., and Saturday, November 13, at 3 p.m. are Pay What You Can events. Both days, starting at 10 a.m., visit the Paramount box office in-person to request your tickets. Customers will be asked how much they’d like to pay and will pay what they can. Limit four tickets per person. Offer not valid toward previous purchases. Online or phone sales not permitted. Paramount’s Pay What You Can events are part of the theater’s new program, REACH – Resources Expanding the Arts and Connecting Humanity.
COVID 19 protocols:Patrons must adhere to all COVID-19 safety protocols as determined by Paramount Theatre at the time of the event. This could include but is not limited to mask wearing, and providing proof of COVID-19 vaccination. Paramount Theatre is adhering to all COVID-19 safety guidelines as mandated by the state of Illinois. Patrons will be contacted prior to their event with current policies. Children 2 and under will not be admitted. For current Paramount show Covid protocols, visit paramountaurora.com/covid-19-commitment-to-safety-protocol.
Behind the scenes of Paramount’s Cinderella
Making her Chicago debut as Paramount Theatre’s Cinderella is Mikayla Renfrow, a new graduate of the University of Cincinnati, College-Conservatory of Music, most recently seen as Alice in Seven Brides for Seven Brothers at The MUNY.
The principal cast also features Markcus Blair as Christopher; Jerica Exum as Fairy Godmother; Sarah Bockel as Stepmother; Jacquelyne Jones as Grace; Tiffany T. Taylor as Joy; Rashada Dawan as Queen Constantina; Lorenzo Rush Jr. as Lionel and Michael Kingston as King Maximillian.
Ensemble members Brian Bandura, Adia Bell, Matthew Bettencourt, Anna Brockman, Max J. Cervantes, Evan C. Dolan, Tim Foszcz,Kelli Harrington, Christopher John Kelley, Ron King, Ashley Lanyon, Jenna Napolitano, Jason Richards, Camille Robinson, Katherine Viviano, Shelbi Voss and Natalie Welch complete the 26-person cast.
The production team is Brenda Didier, director and co-choreographer; Tiffany Krause, co-choreographer; Kory Danielson, music supervisor, director and conductor; Angela Weber Miller, scenic designer; Theresa Ham, costume designer; Victoria Bain, lighting designer; Adam Rosenthal, sound designer; Katie Cordts, wig, hair and makeup designer; Jesse Gaffney, properties designer; Ethan Deppe, electronic music designer; Gaby Labotka, intimacy director; Joey Stone, associate director; Terri Woodall, assistant choreographer; Celia Villacres,associate music director/associate conductor; Maegan Burnell, stage manager; and, JC Widman, assistant stage manager.
Chicago theater veteran Brenda Didier (director and choreographer) has received 31 Chicago Joseph Jefferson Award nominations, receiving seven Jeff Awards in Direction and seven Jeff Awards in Choreography, most recently for Paramount’s 2019 production of The Producers. She is the recipient of the 2018 Guy Adkins Award for the advancement of Musical Theatre in Chicago, two After Dark Awards, two Choreography Awards from the Society of Theatre Artists and Friends, the National Youth Theatre Award, Broadway World Chicago’s fan favorite 2010, 2011, 2012, 2013 and 2014 Choreography Award, 2016 Director Award and has been listed in the Chicago Sun-Times Top 5 for Musical Theatre Choreography in 2009, 2010, 2014 and 2017. Didier is also artistic director and owner of the Lincolnshire Academy of Dance.
Based on the French fairy tale by Charles Perrault, Paramount’s Cinderella is actually the third version of the original Rodgers and Hammerstein musical, which premiered on TV in 1957. Adapted from Oscar Hammerstein II’s book, the script was modernized to appeal to contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. Today, it’s commonly referred to as the “Enchanted version” of Cinderella, a salute to the still popular 1997 TV musical with Brandy becoming the first Black actress to portray Cinderella on screen.
Credits for Paramount’s Cinderella are: Music by Richard Rodgers. Book and Lyrics by Oscar Hammerstein II. Adapted for the stage by Tom Briggs from the teleplay by Robert L. Freedman. Original Orchestrations by Robert Russell Bennett. Adapted by Tom Helm. Orchestration reductions by Macy Schmidt.
Paramount’s Broadway Series sponsors are The Dunham Foundation, City of Aurora, BMO Harris Bank, ComEd and the Illinois Arts Council. Paramount’s Broadway Series production of Cinderella is sponsored by Jake’s Inc. and Rush Copley Medical Center.

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